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LITERARY ART
GALLERY

The following literary pieces were selected from collected submissions of local student-written poems, essays, and short stories.​​

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Thank you to WSWHE BOCES and to all of the students who contributed to this exhibit for inspiring us all with your thoughtful creations.​

Dog Days
2024 Literary Art Winner

Lipsha Isabelle Cecilia Stark

Greenwich CSD,
Grade 12

1

 

We eat when our bellies run empty, watch the trains blow by when we want to feel a breeze, nap as carelessly as babies when we’re weary. We take our time like it’s unlimited. There is no such thing as waste in our world. We rinse off in the cool spring after sweaty bike rides and suck water out of vases like we’re wild daisies. No other glass is tall enough to subside the dryness at the back of our throats.

 

We drive wherever the road takes us with your hand peeking through the sunroof like a groundhog; Mine makes cool blue waves out of the passenger’s side window. When I make faces at passing cars, you tell me I’ll get killed one of these days by a grumpy man with road rage, but I just laugh and keep singing. You’re the one driving, and there isn’t a thing that could taint this moment.

 

The sun brings out the best in me. She wipes my lazy eyes and shows me how to cherish the day. She tells me secrets using morse code. Obnoxiously, she beats down on me when I deserve to be beaten down on. I told you that a part of me resents her, but you didn’t believe me. Neither did I.

 

If we don’t feel like doing much of anything in the morning, we sleep in until the sun is too irresistible to sleep through. She shines in through my too-transparent curtains and highlights my favorite imperfections on your skin. I stare for a moment too long at your resting figure, cloaked by linen, and then I’ll stretch the sleep away and sip from the vase. 

 

In the dusky evening, we go to a place I’ve passed by a hundred times but have never stopped to admire. The pond, the clouds, the hum of the bugs. I learn to appreciate every little thing, and I know you do, too. We fall silent while you doodle a creature on the back of a receipt. I pluck and strum my out-of-tune strings. Hum along, if you want. Hum along.


We dilly and dally all afternoon and you get sunburnt and I laugh about how the sun seems to favor me. You argue that sunburn is a token of love. I argue that the word for the sun’s love is sunkissed, not sunburned. I win the battle and you win a tub of aloe vera.

​

The sun blinks off, and night comes soon enough, but we’re still outside with the fireflies and birds and frogs. Your burn doesn’t bother you so much in the cool night air. The mosquitos hardly nip at us anymore. They’ve grown used to our presence (our blood is old news). You hum your tunes like you do and I study the stars like I do. There, in the sweet envelope of the night, I am a blink away from falling asleep.
 

Cicadas a-chirping. Frogs a-croaking. You a-humming. I swear, I’ll live in this moment for as long as you let me.

​

2

 

Don’t think I forgot about those chilly city nights. In my mind, we still climb the fences we were made to climb. We rub blisters on our heels with beat up rubber shoes and too-thin socks. Change falls out of our pockets as we run. There goes a dime, a quarter, a few pennies: money I don’t want back. A donation. Unfamiliar hands and feet, running down an unfamiliar street. I felt like I’d known these steps all my life.


We walk wherever the sidewalk takes us. We pass by a hundred souls and a hundred more shops. We wander through several busy blocks, sharing stories of our sisters and our hometowns, before my denim-clad backside finds its way to a cold, concrete fence. From up there, I am taller than you. Your nose turns pink in the chilly night. Music seeps from the speakers of a party van at the red light. I stand tall, you look up, and we dance.


I don’t know what kind of world I was expecting to visit, (you asked after the van went by- am I what you thought I was?- and I should’ve laughed at you for asking such a question) but I was exhilarated by what I found. The stars in your city are man-made. They reflect off of the pavement in a disco-ball fashion and the constellations they make are incalculable. There are always people to observe, always people to observe us, and yet, I wasn’t worried about being seen. The people- walking or talking or shouting or driving- they reminded me of ants, the way they all looked like they knew where they were going.
(You exceeded my expectations. For the record.)


The cards we were dealt didn’t align with the game we wanted to play. Yet, we played. We begged bouncers to let us in, pleaded on our knees, but they wouldn’t give us a break. Nobody did, really. So, we made our own break. 


Escapades in elevators and stolen hearts in stairwells. I dropped pieces of me on the concrete floor that I never bothered to pick up. A pair of hands in one pocket, two bodies on one bench, a couple of silver rings bedazzled our indigo-painted fingers. Hangnails scraped gentle circles on the heel of my hand. I’d like to claim and hoard these memories- keep them hidden in a lockbox- but they’re yours, too. 

​

I boarded the train two stops after you did, yet we picked the same car. Think of it this way: 10 cars packed full of 700 strangers. The doorways are blocked with bodies, you can’t travel through the cars. We’re packed like sardines. It’s a busy hour. I’m reluctantly prepared to wait twenty more long minutes to see you, but out of the corner of my eye, here you are. A glimpse of that hair, those pants, the fur around your neck; Here you are.


Think of it this way: 10 cars packed full of 699 strangers. The doorways are blocked by warm bodies, so as not to let the cold in. We’re sitting by a man and his two young daughters. They’re giggling. They’re going home. We talked about God. We talked about mothers. Fifteen minutes couldn’t have felt any shorter. There is so much to tell, so much to hear, and only five stops left.

​

3


Sometimes, I think about the day that we were stuck in the tree. It was all well until you came across branches that wouldn’t hold you and climbed onto them anyway. I followed your lead.


Up there, I felt like an orange cat, waiting for a big red truck to roll into the park, (wheels screeching to a stop, a sturdy ladder carrying a fireman that looked more like an angel, his gloves around my orange abdomen, too thick to feel the warmth of his hands) waiting for someone to save me.


At the same time, I never wanted to come down. While imagining a life in the willow tree, cloaked by its wilty branches, the distance from the ground became less daunting. It’s peculiar, the way I can’t seem to remember a word we said that day, but the memory of the ants marching along the crackled bark is clearer than the spring we filled our vase in afterward. 


I wondered where they were going.


I thought, for a moment, that they might be as lost as you were driving to the park that day, (Though, that wasn’t really your fault. I’m a bad navigator. The maps are too big and have too many roads that overlap and fork and twist and turn. Plus, our conversation, though I haven’t the slightest idea what it was, distracted me from following something as tangible as a map).


Then, I knew that the thought about ants being lost was a foolish one. Ants are born with a mysterious intuition that you and I lack. We were in that tree for a very different reason. We wanted to climb and feel tall and mighty. We wanted to feel the bark beneath our palms and rub calluses onto the softest parts of our hands. We wanted the leaves to start singing to us. We wanted to see how high we could ascend without snapping a limb (Yours, mine, the tree’s- it’s all the same in the end). 
They were on a mission.

​

4


I’ve turned into the groundhog, and it seems like I’ve entered another dimension. There are no vases filled with sweet water. No city stars creating city constellations. No intelligent ants, no firemen to save me, no musical vans. The lack of all of these things could’ve depressed me into predicting a late spring. A long and cold winter. Instead, I shrugged and gave the people what they wanted. I knew you were among them, awaiting the moment my whiskers would begin to peek out of the ground. I knew you wanted those beardtongues to bloom. An early spring was the least I could do.


Many moments (the coins, the train, the mosquitoes, the humming) have faded into something I rely on photos and scraps of memory to recall. But, the sweetest memories reside on the backs of restaurant receipts, hidden in my wallet to this day.
Don’t get it twisted, boy; It’s not as if I’ll die of a broken heart. It’s not as if I will yearn for young summers and tragic winters for decades. I just don’t understand how something, once so familiar to me, could become buried so deeply that I have to dig a grave to find it again. I want to stop imagining. I want to experience it all again.


Time, I’ve found, is more restrictive than we made it out to be.
 

Lipsha Isabelle Cecilia Stark
Raven Zimmerman

Crooked Shelves of all Past Selves

Raven Zimmerman

South Glens Falls SD

Grade 12

“Write about memories” they say,

“Take what’s in your head and turn it into art.”

But which pieces are beautiful? I wonder.

“All of it”, I think, and that’s the hardest part

 

Blank canvas in my head,

I search for a place to begin, but nothing comes to mind

An easel built from love

I’m sure there is some paint I could find

 

I rewind the tape, flip through the pictures in my head

I lay out all of the pieces of me that I’ve connected with a thread

A string of desire, a love for being alive,

The desperation to ensure that my future is one that I alone comprise

 

I sort through the library of my experiences, dust scattering as they are skimmed and read

Reaching to the highest shelf, I find something unexpected instead

It’s all of the times when I was not in control,

When fate was at the wheel and luck paid my toll

 

I find constellations and maps,

Millions of paths of connection to who I’ve become

I discover the sheet music for my symphonies,

I notice how regardless of the key changes, I always marched to the beat of my own drum

 

I flip to the table of contents,

and see the names of all the people I’ve ever known

Each of them makes up a part of me,

Pieces of their souls that have unintentionally become my own

 

I drop down to the bottom shelf,

Delicately taking a seat on the floor

I think about the foundation of my life,

And wonder what these shelves may store

 

I pick out a memory, holding it gingerly in my arms

Surrounded by family and nestled in my mom’s hands,

Nostalgia hits me like a brick, and I’m 4 years old, again

The world is still safe and my heart knows no harm.

 

I put down the memories now,

Pick up my paint and hold up my brush

My canvas seems to glow a little brighter now

Matching with my cheeks, a crimson warm flush

 

I create a collage, an abstract piece of art

One that could be judged a million different ways,

But one that I will always look at as beautiful,

Because on the canvas I drew my heart.

Cemetery of Memories

Kaden Gates

Granville CSD

Grade 12

My mind is full of lines that wind, like vines of I.

These vines of mine from time to time,

begin to burgeon flowers of my hours.

Memories of my life…

My fruition and my strife.

Flowers have hours of their own.

As impermanence asserts,

Their vitality desserts.

They wilt and bend to the will of mortality.

Sentenced to a cruel reality.

To the cemetery of memory.

A shallow grave I save for the lost,

The thoughts not worth the exhaust. 

Ivory of Irony covers the epitaph of those that are truly dead.

You can't reminisce on a memory that's no longer in your head.

But no cemetery is truly unliving.

The people, the bugs, the flowers, the gift that keeps on giving;

The memories that just keep living.

Not all memories are flowers, not all flowers are worth picking.

Some are thorns, sickening, prickling.

Stabbing my hands as I bury them in a grave,

A slave to the shovel and the dirt.

Anything to get rid of the hurt.

No matter how much I neglect and deflect the thorns

New pestilence is born.

Rising from its grave stronger than before.

I can't take it anymore!

Why won't they just stay dead…

Get out of my goddamn head.

But thorns don't seem so bad when attached to roses,

Like bad people in pretty poses.

Looks can be deceiving,

Yet we're still believing.

I'm not lying to you anymore than I'm lying to me.

A lie in the mind is designed selfishly.

But as I compartmentalize all the mental lies,

I realize I'm not buying my lies this time.

The un-said, like undead rise from the grave.

Everything I gave,

Caving to the memories...

Craving the hypocrisies.

Saving the few falsities protected from honesty.

An atrocity of animosity plagues my memory.

Lost in an infinite cemetery.

Tossed into an indiscriminate mortuary. 

An obituary to the altruistic,

A paradox of the optimistic.

This is my cemetery...

But are these really my memories?

Kaden Gates

Ballad of Misunderstandings No One Wants To Hear

Kaiden Knudson

Granville CSD

Grade 12

What is a memory?

but not was it just a distant dream stuck in reality that’s far from happening again.

Once a memory fades what is left for the soul to eat,

if not a tasteful retelling of something you once felt,

then what is it that could be left to devour.

Nothing more than static rice,

nothing to take,

nothing to learn,

nothing to the body.

Useless waste of space for something greater.

What is that memory,

if it’s not just a thought,

for what if it was a sign,

a way,

a will.

Something more than just dread… 

Kaiden Knudson

My Favorite Holiday

Brenden Harrington

Hudson Falls CSD

Grade 12

Christmas is a time for family, food, and festivities. There has never been a Christmas in my lifetime that has not been spent with my grandmother. Every Christmas, my grandmother cooks by herself, causing abnormal levels of stress on her. In recent years, I have volunteered to cook with my grandmother on Christmas eve. Traditionally, we have a Christmas breakfast, filled with pancakes, sausages, french toast, eggs, and cake for baby Jesus. However, three years ago my grandmother decided the stress was enough, and we would have Christmas dinner. Over the years, dinner has evolved into a “bring your own dish” style dinner, where my grandmother makes side dishes, I make my famous meatloaf, and everyone else makes their classic dishes. No matter what anyone thinks of our cooking, it is not the dinner itself that makes Christmas special, but the creation of it.

 

My grandmother is an amazing cook, this means that all of the wisdom she has gets imparted unto me. She has told me that she’s leaving me a book of recipes when she is gone; hopefully that is not for a long time. Regardless, cooking with her is a blast; we dance, we sing, and we make a mess of the kitchen. As we prepare food that will no doubt be devoured as soon as the prayers are over, the kitchen is filled with laughter and conversation. As the music of her childhood begins to softly play in the background, the smell of food wafting over, and the feeling of the ingredients coming together, my grandmother begins to reminisce about “The Old Days” and the world she grew up in. She shares the good and the bad with me, as she takes me with her on the rollercoaster of her life. Each memory she shares with me is like a note in a song, each weaving the story of her life. I, the listener, can only hope to understand each passing memory and the messages she is trying to convey.

 

To me Christmas Eve is more meaningful than Christmas because the presents come from a place of love, but the memories you make and the people surrounding us make the holiday richer. As I observed my grandmother cooking, I couldn’t help but smile as I imagined this moment for years to come; making multitudes of Christmas memories. Memories that I will look back on fondly when making dinners with my own family someday. Memories that will stay with me for the rest of my life, even if she does not.

Brenden Harrington

Pulling the Threads of Connection from an Infinite Spool

Hannah Citron

Schuylerville CSD

Grade 11

Scabbed, thin limbs tickled by grass

On playgrounds, frontiers, and picnics

Thin green blades, dappled with flowers

kissed by the sun and hummed to by the summer’s breeze

Reach up eagerly for connection

Finding old friends in a graze of ankle, foot or knee

Centuries of waiting and finding

of searching and feeling

of knowing and loving

 

gap toothed smiles span centuries in their spacing

laughing in easy amusement, twinging in pain

beaming with bright admiration

gleaming glimmers of emotion shining across time

blinding anyone who cracks open their eyes

 

The hair of the waitress, bartender, and farmer

The janitor and artist

Frays at the ends

Edges broken free from the strenuous tensions of sculpting a living

Made strong with the knowledge that

We will follow our finest strands, our weakest wisps, to the promised land

We will watch old breakage foster new growth

    

We watch the rise and fall of nations

And we watch the tides of our mind as they ebb

We watch the dreams of our youths as they flow

And pray that they never run dry

A dried-up oasis offers no solace to the weary traveler     

 

And the doting daughter, and loving son, and worrying mother

And the solemn sisters, curious cousins

Grandparents whose wrinkled skin creases at corners

Form an unending line, joined hand in hand, arm in arm, heart n’ soul

And there is no telling where they end and I, we, begin

And we are descendants of humans who descended from humans

From the man, the woman, the child, who raised their heads up high and opened their eyes to peer curiously into the light

Hannah Citron

Gray Sherpa Sweatshirt

Anna Beuerman

Bolton CSD

Grade 12

One December 25th, I received a present in my childhood home. It was a gray sherpa sweatshirt with loosely matching pajama pants that made my body overheat. I wore that sweatshirt a lot in January.

​

One week later and I had hardly taken it off. This Saturday in particular was a day celebrated by followers of the Gregorian calendar. A day of new beginnings. A new year. I honored tradition by pacing on my driveway for hours in the midnight snow, planning my reactions for the deaths of each person close to me. Would it be rude if I wore the same black dress to each funeral?

​

The sweatshirt accompanied me once more on a Friday. It was cold, and I was about to depart on a real walk with a six-foot-one memory and the shorter shell of a man next to him. A winter coat hid some of the dormant post-wash fuzz. Sometime during our walk, a fire lit in the neighbor’s house. When we circled back, the whole block was glowing orange. It wasn’t a big deal. We ate pizza. I fell asleep in the sweatshirt.

One 2pm afternoon, I cried into sherpa sleeves. I crawled my decomposing body into a gray Nissan as the sweatshirt donor drove thirty miles beneath road noises and agoraphobic, suppressed sobs.

 

I think now of my soul. I feel it falling out of my mouth. I didn’t have the energy to stop it. My eyes were blurred with saline and red haze. I saw nothing. I only felt it. Slipping down. Smoothing over the backs of my teeth, dripping at first after the startle, then cascading down in pools after the proof. I don’t know what color it was. I couldn’t see it. Somehow though, I know it looked like you. I screamed into the walls of my own skeleton as my soul dripped into the earth from out of my open mouth, weeping and wilting for the loss of its tether.

Is that it?

 

I don’t believe in souls the way others do. My mother wrote me a note. “Love’s greatest paradox: though the bodies we loved WITHIN fade away, that love never does.” I memorized it. It felt like something I should know.

 

I used to say that the only way I would ever adopt a religion is if my mom died. I don’t think I could survive without thinking that she still had something to do with my future. She’s watching over me. I said I would write her letters and keep them in a metal box, and text her number when anything interesting happened. Then when the texts turned green, I would turn to God.

 

The morning of our funeral, we AirDropped all of our pictures of you around the room, so we would all have something immaterial to hold onto for a little while longer. I ordered a canvas of your picture for my mom’s birthday, one square below the day you died on the calendar.

I didn’t wear my black dress to the only funeral I attended that year. I wore the gray sherpa sweatshirt that I hadn’t taken off since you died. It was cold. I have a picture of me sitting next to you for the last time. Mercifully, the photo was taken from behind, so no documentation of my deformed and swollen face remains.

 

The world stopped moving. I had to beg the sun to start moving around the Earth. The sun spent all its energy making up for the paralyzed Earth, breaking habits and comfort zones just to make sure no one else died. The world stopped moving, and our house was the only one to feel the shift. Only we fell down, as the force of life as we knew it trip-wired us with the shock of a colossal ending.

 

Sometimes I feel like Lemony Snicket: obsessed with, darkened by, and forever dedicated to a corpse. Dramatizing dramatic drama; sadness breeds sadness. I wrote you a letter. Warped and wrinkled notebook paper. That piece of paper still exists. You do not. Lemony Snicket.

 

The night of our funeral, the duty of my body’s care and keeping was left to the fleshy skeleton which possessed the principal claim to the shiny gray Nissan that drove me to you, and to the four walls inside which I pretended to have an appetite. I ate a gracious quarter of a burger across from the hazy people who watched the charring of a house with me. Before I ever knew what sherpa was, or had ever accepted the possibility of death and house fires, memories were made of potions and petals from the neighbor’s surviving flowering dogwood. We would play with immortal stuffed animals, immortal childhood, immortal bonds. All the whimsical delusions of youth they’re supposed to disabuse you of. And now we sit. They don’t understand my grief, I don’t understand their indifference, their lack of understanding. And so the immortal passes away.

 

Twenty-one days after the revelatory phone call, I was curled in a ball on my childhood bed, playing solitaire on a 2015 Chromebook to forget how I would never see you again. It was late, and dark by nature of the time. I had warm white Christmas lights keeping my room bright. An intruder came in from the hallway. Two hours later, I stood forty minutes in the snow in front of the gray Nissan’s garage with a duffel bag and a backpack, waiting for rescue. One week later, we took the cat. I left my Christmas present crumpled up in the bottom of a laundry basket.

 

It’s almost a year. The canvas I gave my mom sits on the bathroom floor behind the toilet. I took back the photos of you from my childhood room amidst the exodus of possessions, and now they lay disrespected in a Walmart box. One photo of you exists politely, on a shelf with a plant. I don’t live there anymore, though.

 

I wore that gray sherpa sweatshirt a lot in January.

Anna Beuerman

March of the Centipede

Aidan-Christopher Terry

Schuylerville CSD

Grade 12

You youngsters may find a life such as mine uninteresting, but humor me in these twilight years. Come, listen to an old crone’s tale. My little village had a tradition, for every twentieth harvest that came in. When frost would begin to come over the land we settled over a century ago. Rumor was, it had been practiced by others who settled there long before us, and those lost to myth long before them. It was when twelve young men and women assembled on the dirt and gravel streets, to participate in the Harvest March. Our dry village had little of worth, but everyone worked hard, even the children. We had our honest harvests and little traditions. Back then, it was enough to keep both our stomachs sated and our faces filled with jove. After those ritual nights, my mother—bless her—would fill the table every year with our share of the annual harvest. Bread, alongside the Three Sisters would make up the main course. A small serving of potatoes, both steamed and mashed, were shared whenever they came around; you couldn’t expect such a small crop to be available for all in those days. Helped along by crisp juice squeezed from apples, and biscuits filled with cream. How I miss her cooking. But I am now old, my teeth now too brittle for those hard foods we would eat then. I remember my maiden years with vivid clarity; of such a kind that I very well shouldn’t as so ancient an elder. Above all, I remember my first proper Harvest March. It was the dusk of springtime, and my womanhood had hardly emerged. Finally, I was old enough now to watch the ritual that others younger than I were forbidden to witness. Times before that first night are blurry, a mess of overlapping events and sterile days spent sitting on dusty porches, but there is no night I see more clearly in my mind’s eye. It was almost eighty years ago now, and those children old enough to be my own have joined together in the ground, but I promise you this is no senility. Never have I promised anything with more certainty than this! That I witnessed the ritual of our little village, in the times before civilization; the highway that leveled the evidence. I will tell you about the part I played, but first you must hear of another; a man. You may call him the Priest, for that is what he was. No name for him will be given, as I did not know it, but even then I knew he was an old figure. Not as old as you see me now, but elderly. There is a struggle involved in the recollection of such stories, but my parents themselves were not even in the bellies of their mothers when the Priest first came to our little village. No different than a gnarled fir beyond the fields, the Priest was there in our midst. An immutable presence. It was him who selected six young men and six young women for the Harvest March. I would never be among them, for my mother and I had a special task. We had never gotten along, and if I had another sister this job may very well have passed to her, but it didn’t. As my mother’s only female heir, I was given her hallowed task. Together, we would bind the feet of the twelve young men and women. As we practiced with goats and sows in the months before, my mother pressed upon me that the selected would have to be nearly standing on top of one another. Eventually, that night came, and the priest collected his six young women and six young men. With the eyes of all my village on me and my mother, we slinked down the village square to every one of the selected, and bound their feet so close that they appeared as one continuous being lined up behind the Priest, who remained free. The priest thanked the little village for all their hard work in the past year, as my mother and I finished. With the last knot tied, and a wave of his donkey-headed cane, the Priest set things in motion. To claim the selected immediately became as one as they looked would be a lie. Uproarious laughter sounded whenever the priest would have to stoop and help up one of the boys, tripped by the one behind him. They jittered and jolted and stumbled, but in time they kept their step, and got better at every turn. Bells from our church chimed as the group made their way from small gravel street to small dirt street and back again. Ever more did the twelve bound together become more unified, more confident, and their smiles grew larger. Around my clothes the air grew heavy with moisture. I can recall a dread sticking to me like a bad odor; it kept me from enjoying the scene as much as my neighbors appeared to. Feet of the selected now went up and down in waves, one after the other, in a continuous motion. Through the town square they made one final circuit. Stuck onto the faces of the people so tight was this identical idiot grin they all shared—save the Priest. As they passed, in such perfect unison with one another that I considered it uncanny, the lead young man and woman turned their gazes briefly upon me, but kept walking. Their undulating march was heralded by the fanatical cheers of my family and every other person down the streets. The Priest remained deathly silent. On to the outskirts of our little village, they met the crop fields. The Priest stepped aside to let the selected pass. Too focused I was on whatever undulating mass the selected had become, pale as a full moon, to realize their bindings had fallen off. What finally silenced the hysterics of those who were once my neighbors was when the selected spoke. All at once, in a twisted imitation of who they were, they said: ‘So did we come to this land, so to the land and its people we give back!’ Waving its arms in a mimic of that same undulating fashion as its legs, it strode into the crop field ripe with the labor of our village. Every one of its twelve heads laughed in unison with those same rictus grins, as if in mockery of our little village. I believed it was over, as the laughter died away into the old firs. I was wrong. Glowing orange in the black cloudless sky, the moon hung above our little village. What I saw filled me with primordial fear words cannot describe; something time has yet to dull. Whenever the harvest moon glows in the sky, I remember the creature ascending in the distance, vanishing within the heavy maroon clouds that rolled over the moon. With my tears, the red rain then began to fall onto those fields and spread into the soil. I weep now for the memories I cling to. I know, as painful as they at times are, I will be the last who remembers our marches. I am the last who will remember my mother’s cooking. I will be the last who witnessed the marvelous centipede.

Aidan-Christopher Terry
René M. G.

Memories

René M. G.

South Glens Falls SD

Grade 12

Rain pitter-patters on the window as I glance outside.

Synchronizing in a forgotten melody I once could whisper.

Lost in the tune that shaped my childhood.

 

Back of the class, eyes off the teacher.

Rolling my pencil back and forth.

Watch as it falls, try not to bawl, it's not a huge deal yet I feel so small.

A splinter in my heart, damage to my brain.

Such a harsh way to think in 5th grade.

 

But the Holidays and snow-filled days are painted the color red.

Santa Clause can’t do it all, can’t bring back any dead.

Steve was a fighter with a wheelchair and a prosthetic leg.

It’s been 10 years since he’s passed away, but he slowly carved the music path I follow now.

I was 7 when he passed, heart attack I believe they say.

Steve’s soul still whispers to me in the form of four leaf clovers.

Gerold was a few years after, cancer hit again.

Had it before, beat it then, but sadly some things come back in the end.

He pushed on through Christmas, and even 2 days after.

But went on his way that next day.

Dan was just shy a year from Gerold.

He had a smile of sun, a heart of gold.

The Christmas that followed, the sorrow was swallowed.

Nobody should be alone while Christmas bells chime.

I just wish we had more time.

But I was too young then, I did not understand.

Why I never said goodbye, I never had the chance.

But the weight it had, took a mental cost.

But the love I have, it still carries on.

 

Middle School is a time I’d be happy to forget.

Not many good things, a few though, I can bet..

The count of my fingers, I’d list them all.

 In the back of my mind those days can fall.

 

Freshman year was complicated, lost myself, stress related.

Are  there any picture perfect families at all?

Next year was the same, plus a job and weight was gained.

Can’t believe I got that way.

Junior year, Management, such a hard shift to live,

Closing nights, 2 am, sleepless nights, sleeping in.

Never saw a shift in wage, took a year to lose that weight,

found myself that very same day.

 

June 2023 came, a comment on my Facebook page.

An offer for a job, at a better place.

Took a month, due to age, shockingly they said they’d wait.

Took me in that very next day.

 165-138 by my first starting day.

Swore I’d never looked, nor felt so great.

Senior year, 112 now.

Finally feet on the ground.

The Warmth, I've been missing for so long.

Memories I can’t erase, spent so long trying to replace.

Now I see there is no way, and that’s okay.

 

When I was nothing but a baby, a doctor saw something different in me,

Autism, he was sure.

9, retested me, saw nothing truly wrong with me, okay i guess..

At least I'm normal, see?

Yet tests were tough, connections tough, I never truly learned to love.

Emotions were off the charts. But “that’s just the female teenage heart!”

 

September 2023, finally got the puzzle piece, missing from me.

Another Doctor saw it clearly, Autism, definitely.

Explains the way I play the guitar behind my head and sing along,

How’d anyone know if I got my words wrong?

Carry on, you’ll see, carry on.

I fixate on specific artists, can pick up any hobby and drop it,

Every month I swear it’s something new!

I wonder if I could’ve done this all without you.

 

Memories I can make, for myself, at my own stakes.

My walls are up, but they are shorter now.

Last Lullaby

Allison Wu

Emma Willard

Grade 11

you rose first, from white crested waves,

knotted branches unraveling,

waxen leaves fanning out above fertile lands.

you ruled for eons in your meditative rumination,

watched my minuscule figure emerge from swollen hills, smiled as

Mother painted my skin, smooth and curving

tapering into thin spools of wiry hair

she wove from her vine draped loom, and

as she breathed into me voice,

resonating chords curling with my unfurling fists.

I used to explore your arching ridged walls,

letting the deep etched lines scrape my sun sensitive palms,

seeking refuge under your viridescent canopy spheres

​

yet our paths diverged and I morphed into earth’s plague,

lunatic ignorance deluging from my infernal countenance.

you writhed under my arsonist fingers,

an errant child razing your woods

indulging in smoke incense smeared with variegated betrayal.

​

you were a gift we watered with a

rolling sea of blaze.

serpentine columns surging from stinging flames

between the hardy trunks once sturdy

—disintegrating.

you became ashen seeds,

unplanted, staining mercurial skies

orange-gray. noxious fumes of your black carnage

slashing through the jagged air,

mangled remnants of your chlorophyll and heartwood that

used to reach past clouds;

branches that used to soar into the stark untarnished sky

seeking light.

​

stolen souls with cracking skin, charred skeletons of bark and bone.

you were swallowed,

uprooted,

soot spirals rising towards a deathly heaven of unanswered prayers.

do you still hear it?

​

soft rustle of leaves, perpetual rhythm of dew drops and birdsong.

Mother Nature’s hymn.

before the wails of your slain saplings, ephemeral xylem rings,

thin and newly formed, ravaged by burnished flames.

before the mournful syncopation of smoldering blood

splattering into the blackened earth.

before the crescendoing cracks as you fell,

magnificent bodies hollowed by blazing venom, ancient limbs shattering into

forgotten shards, carried away in the tormented winds.

​

my shrieking laughter becomes tuneless.

​

soon, I will realize Mother’s song has changed

and that all we will hear

is her last lullaby.

~~~

Inspired by the artwork:

Donald Holden, Forest Fire X, 2001.

Smithsonian American Art Museum

Allison Wu

The Song of my Heart

Andrew Baaki

Notre Dame-Bishop Gibbons

Grade 12

Found deep in the pride of my heart is a beat

To which no other fairs

 

It’s raw, it’s deep, it’s love

Only when I let it play

 

A soft regalia when the night robs me of security;

But drummers roar in my chest when I scream in silence

 

Oh

I feel human.

 

I feel more than flesh and skin;

I feel like countless pumps of blood

 

Blood that secretes passion

And blood that gives goosebumps ev’ry time I let go

 

Please

I pray I never lose you.

 

You;

The feeling of my humanity

 

Words hurt

But my heart was made to love

 

Count the seconds I adore you

On my metronome chest

 

Watch my blood spill on the floor

But my tempo never cease

 

When my time comes

Enjoy the silent song

 

But please

Remember.

 

The beat of the body concludes,

But the symphony of the soul is eternal.

Andrew Baaki

The Dance of
the Zalongo

Amy Devendorf

Shaker High School

Grade 10

The earth is soft beneath our feet

Mother does not cut our bare soles

She carries us higher; urges us to run faster

 

There is bile and blood welling in our throats

Scraping boots and battle cries chase us

Grubby hands and sick minds long to pin us to the ground

The touch of Man more vile than anything Mother ever meant to make      

 

The      slap     of our feet       The      pounding         of our hearts

Mother bids us Sing. Sing in the face of death himself

We cradle those too young to dance               we hold them in arms always meant to break

 

Mother sings with us                          hundreds of lamenting cries               Laughter

            Bubbling as our hearts break under the                       Pressure, presence, present, future

Mother guides us to the cliff edge                  She bids us Dance.

Dance, dance My daughters

Dance your way to                                                       Freedom

 

Fire is              burning           Anger                          stomps             its way across our souls

Unbridling our hands, our throats

We                  sing             out          songs of Joy of Freedom

                        Sing                            songs of Merriment that none of us knew how to sing before

        We kiss our children                   mwah              between beats

Mother turns them to birds so that they might                                               FLY

We hurl them from the cliff; dancing in time to the sound of their bodies hitting the ground

 

Mother Mother                       Dance                          dance with us

                             Sing                                                sing with us                 Oh mother please

Do not stay here without us, Man will poison you with their filthy blood stained hands

Turning each other round and round we                                spinnnnn

Locs free in the brees our skirts hiked up to let our knees                             twist   

The youngest women goes first          she longs to join her child in Mother’s gentle grave

We carry her to death             thud     `           with melodies balanced on our tongues

One by one                  we                   twirl                        and we                                 l  e    a    P

Amy Devendorf

Silent Symphony

Elise Shaw

Van Antwerp Middle School

Grade 7

There’s a fuzziness associated with silence,

Followed by a pounding in my head.

Empty space has no noise

And it’s going to drive me mad.

 

Something cuts through                 

All the quiet and the dark.

It’s a chord barely loud enough to hear.

Allowing me to ponder

 

Countless journeys through the field

With flowers made of notes.

Woodwind birds flying above

The grassy bass line.

 

Ecosystems and infinite measures

Are one thing in this universe.

Aleatory lines weave stories

Through fervent and calloused fingers.

 

These stories shape lives,

Endlessly knitting the fabric of life.

All too soon, the melody plays its final repeat

And I am again alone.

 

Alone with the silence,

That used to be welcomed.

Alone with the silent symphony

That is going to drive me mad.

Elise Shaw

The Timing of the Tightrope

Molly Graiff

Columbia High School

Grade 12

Wander in the wind

Gallop with the ground

Shuffle in my shoes

Find your rhythm all around

Take a trip where no man has even gone before Write

your own path as you form

Your OWN trail to be explored

Tease the tightrope with your balancing act

Travel your toes forward

Unafraid to step back

Take your time in the air

No ones counting your stumble

Join together as one in this group hug of humble

Embrace your own journey

Don’t fall into line

Discover a new passion, a place for wonder and

design Together as we trot on this tedious piece of

twine Feel the mix of trust

As our creativity combines

Find your constant in a place

That isn’t like the rest

Leave your mark as a leader

Even rhythm you’ll impress

Molly Graiff

Moon Child

Tehreem Fatima

Shaker High School

Grade 12

The whistling breeze- trees,

Clear the sky as I spy,

Into the motion & commotion,

Of life

 

It whispers into my ear.

A surround sound traveling to make,

The beat below my feet- tremble,

In tune.

& We dance

 

Into the heavens,

Riding through cosmos

On shooting stars,

Cars of the soul- exist,

& I am in awe of.

 

The leaves & I,

The breeze & I,

The rays of light’s slight vibrations,

Ignite the night.

The moon our mirrorball.

Before the day rises,

& We say goodbye

 

Forever? Never.

Our cycle is eternal.

The Earth is Maternal,

The Sun is Paternal,

 

& I am the moon,

Child of the universe,

Dancing to the melody,

A method to remedy

Beings of matter as one,

Nation of creation.

Tehreem Fatima
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